Episode count is an old-fashioned measure of success, yet it keeps proving useful. A military action drama with more than a hundred installments crossing into the most-streamed titles of the year demonstrates that a long library can outperform a new release, simply because viewers who start early have hundreds of hours to work through and keep returning. Streaming economics reward exactly that behaviour. A show with a large back catalogue generates engagement without any new marketing spend, and it recruits new viewers continuously as recommendations spread. The trade-off is that such series rarely dominate cultural conversation, since their audience is steady rather than loud. That suits the format. Procedural storytelling built around cases and missions does not need a finale everyone discusses; it needs consistency, familiar faces and a structure that survives cast changes. The lesson for anyone planning a slate is unglamorous: durability beats novelty more often than the industry likes to admit. Its audience may be quiet, but quiet audiences are exactly what a platform's viewing figures are built on.
One of the most popular shows to emerge on Paramount Plus in the last few years has beenSEAL Team, the war drama starringDavid Boreanazthat first premiered on the platform back in 2017. Seven years and seven seasons later,SEAL Teamcame to a conclusion during the summer of 2024, but the show is overstaying its welcome on platforms such as Paramount Plus andNetflix. More than two years after it went off the air, The Nielsen Company reports thatSEAL Teampulled over 2 billion minutes watched during the month of SeptemberonParamount Plusand Netflix. That’s easily enough to make it one of the most-watched shows of the month, and its audience only continues to grow as more discover the show years on.
The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you're complicated enough to straddle two Sheridan universes.
You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world's indifference to history, to land, to legacy, is not something you're willing to accept quietly. You lead from the front, you carry your family's weight without complaint, and when someone threatens what's yours, you don't escalate — you finish it. You're not cruel. But you are absolute. In Yellowstone's world, that combination of ferocity and loyalty doesn't make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You're a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they'll do to get it. You're not naive enough to think this world is fair. You're smart enough to be the one deciding who it's fair to.
You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you're not above reminding people that the two aren't mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they'd be finished — who find, in an unfamiliar place, that they're more capable than the world gave them credit for. You don't need a throne. You build one, wherever you happen to land.
You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you're the only one positioned to do it without the whole thing collapsing. Mike McLusky's world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You've made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
‘SEAL Team’ Writer is Taking Over a Taylor Sheridan Show
SEAL Teamwas written and created for TV byBenjamin Cavell, who is taking over as the writer and showrunner in Season 2 of Taylor Sheridan’sDutton Ranch. Season 1 was written byChad Feehan, who exited the series before a single episode of Season 1 ever hit streaming. Cavell also worked as one of the lead writers across every season ofJustified, the hit Western crime series starringTimothy OlyphantandWalton Goggins. The show was written byGraham Yost, who is credited as the lead writer on Apple TV’sSilo.
Check out all seven seasons ofSEAL Teamon Paramount Plus or Netflix and stay tuned to Collider for more updates and coverage of all the most-watched projects on streaming.
SEAL Team
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